SKU: 600902531
stroller that folds to car seat

stroller that folds to car seat Oxford Modular Stroller with Mico Pro Infant Car Seat in Black

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Description

stroller that folds to car seat Oxford Modular Stroller with Mico Pro Infant Car Seat in BlackThis Maxi Cosi bundle comes with the Oxford Modular Stroller and Mico Pro Infant Car Seat, both in black, and usually sold separately. Pairing the pieces together creates a travel system that can be used from birth. Oxford Modular Stroller With its tailored style and versatility, the Maxi Cosi Oxford Modular Stroller adapts seamlessly to the changing needs of your on the go family with 4 modes of use: built in parent facing baby carriage, built in

This Maxi-Cosi bundle comes with the Oxford Modular Stroller and Mico® Pro Infant Car Seat, both in black, and usually sold separately. Pairing the pieces together creates a travel system that can be used from birth.

Oxford Modular Stroller

With its tailored style and versatility, the Maxi-Cosi Oxford Modular Stroller adapts seamlessly to the changing needs of your on-the-go family with 4 modes of use:  built-in parent-facing baby carriage, built-in world-facing baby carriage, parent-facing stroller, and world-facing stroller. This convertible stroller also comes with adapters making it compatible with all Maxi-Cosi infant car seats (sold separately) to become a full travel system.

The Oxford modular reversible stroller is designed with new CosiCarriage, a built-in lie-flat baby carriage that offers a comfy place for your baby to stretch out. Unlike most strollers, with our CosiCarriage, there’s no need for additional accessories or attachments. Another unique feature: when not in use, the carriage can be stored compactly behind the stroller leg rest without compromising leg room.

You’ll love how easy it is to convert from stroller to carriage (and back again) on the go. And when it’s time to store this travel stroller, Oxford does what others can’t—folds easily in both parent- and world-facing directions, (even in carriage mode), and self-stands in stroller modes and parent-facing carriage mode for easy storage.

For your growing little one’s comfort, the Oxford features EcoCare fabric––our premium, soft, 100%-recycled fabric, plus an extra roomy seat that fits children up to 55 lbs. and up to 40" with a removable, cushioned inlay, and a large, extendable canopy with UPF 50 UV protection. You’ll love the spacious storage basket that holds up to 22 lbs. for all your essentials, and the adjustable handlebar wrapped in vegan leather for a comfortable push.

Mico® Pro Infant Car Seat

The lightweight Maxi-Cosi Mico® Pro Infant Car Seat is designed for comfort and convenience and allows you to travel with ease. The 1-hand release makes it easy to move from car to car or to a compatible stroller without a struggle. Our infant car seat carrier is designed with a contoured, ergonomic handle, so parents will enjoy a more comfortable carrying experience.

The Mico Pro is simple and intuitive to install and achieve a secure fit in your car with its 5-point harness, 3-position adjustable base and 1-click LATCH system. Large, visible belt guides indicate how to position the belt without using the base (taxi-mode).

We factor your baby’s comfort as key. The infant car seat carrier shell is designed with ClimaFlow™ technology for added ventilation to help keep your baby cooler. Extra plush padding on the removable infant head and lumbar inserts provides a secure and cozy ride.

Key to the design of this infant car seat are the premium fabrics. PureCosiTM fabric is made without added fire retardant treatments, which is better for both your child and our planet. All infant car seat cushions are machine-washable and dryer-safe. Mico Pro is also designed with EcoCare, our new future-friendly, 100%-recycled fabric made from plastic bottles. The yarn produced is soft, comfortable, and breathable––perfect for your little one.

Fits babies 4–30 lbs. and up to 32".

Actual fit may vary. Not all children will comfortably fit in the seat for the full weight and height ranges listed.

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SKU: 600902531

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David R. Papke
Boise, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Lexington, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Birmingham, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Draper, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Massapequa, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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